“A devastating performance…The witches were spellbinding using every sinew of their bodies as they flayed Macbeth with their tongues. Paul Flush’s evocative music is pitched perfectly…a memorable production.”
The OBSERVER Britain

“The most interesting development on the current theatrical scene.”
THE GUARDIAN London

“The imagery is as striking as the raw power of theatre. The pace surges forward until its final thrilling climax…The outstanding ensemble received tremendous applause.”
SUDDEUTSCHE ZEITUNG  Germany

TNT is reviving their highly acclaimed version of Shakespeare's darkest and most exciting tragedy. The production has toured to over twenty countries on three continents, in venues as diverse as a ruined plantation house in Atlanta to Windsor Castle, from major theatres in Tokyo and Berlin to palaces in Verona and Stockholm. Over two thousand people attended performances in Kuwait.

This is a full blooded production that is not afraid to unleash the power of Shakespeare's dark masterpiece. The witches are identified as the source of the dramatic energy of the play. They are shamans, wild forest spirits and they are neither man nor woman.

They inhabit the entire world of the play. Macbeth himself is a warrior, not a thinker; a man of courage who's bravery is corrupted by unthinking ambition. His wife is also a type of witch, this is a Lady Macbeth who calls down the spirits to “unsex her here” but is possessed and destroyed the demons she thought to command. In contrast the porter scene is a comic and acrobatic dance that is (unusually) genuinely funny. The set by noted designers Kurn and Gross is an extraordinary luminous series of walls that become trees. These move around the stage on wheels creating striking visual imagery. This is also music theatre with a fully composed and integrated score by Paul Flush that mixes electronic and human sound.

MACBETH was director Paul Stebbing’s first major Shakespeare production. Its success generated a cycle of productions by TNT of England’s greatest playwright that have met with international acclaim and several awards. From Tehran to Shanghai and Oxford to Oslo TNT's vibrant and dynamic approach to Shakespeare has generated enthusiasm from audiences and critics alike.

Press release and information on TNT’s MACBETH

MACBETH was the company’s first Shakespeare production. Premiered in 2000 the production has been regularly revived with  many of the original cast. It is possibly  the most performed international touring version of any Shakespearian play in the last ten years.  Performances have been given in over thirty countries worldwide, in cities as diverse as London and Tokyo, Atlanta and Berlin, Oslo and Singapore, Guatemala City and Shanghai. This revival (2010) will tour nationwide in China promoted by Milky Way productions and continue to Thailand Singapore Vietnam and Australia. The production is notable for its highly physical style, its integrated musical score, the quality of the Shakespearean verse speaking and its dynamic interpretation which concentrates on the supernatural elements and above all the witches. The setting is historical.

The production received press acclaim throughout its tour (unanimously good reviews), was attended by large audiences and often re-booked by notable theatres (such as Cologne Schauspielhaus or the Alti Fumin in Kyoto or the Raffles in Singapore). The success of MACBETH inaugurated a cycle of Shakespeare productions that have given more performances in more countries than any other theatre company since 2000. This is TNT’s fifth tour of China with a Shakespearian production.

TNT & MACBETH
 
This is a full - blooded production that is not afraid to unleash the power of Shakespeare's dark masterpiece. The witches are identified as the source of the dramatic energy of the play. They are shamans, wild forest spirits and they are neither man nor woman. They inhabit the entire world of the play. Macbeth himself is a warrior, not a thinker, a man of courage whose bravery is corrupted by unthinking ambition. His wife is also a type of witch, this is a Lady Macbeth who calls down the spirits to “unsex her here” but is possessed and destroyed by the demons she thought to command. In contrast the Porter scene is a comic and acrobatic dance that is (unusually) genuinely funny. The production includes a atmospheric and dense musical score by composer Paul Flush, powerful choreography from Eric Tessier and striking visual imagery. The production is directed by Paul Stebbings, founder of TNT theatre and multi-award winner.

A brief synopsis of the TNT production

Macbeth and Banquo are two Thanes (Leading nobles) of the aged King of Scotland, Duncan. They are also his generals. They defeat a Norwegian invasion of Scotland and on their return from t he battlefield meet three witches who predict that Macbeth will become King and that Banquo will found a dynasty of Kings. They also predict that Macbeth will be made Thane of Cawdor, which happens almost as soon as they vanish. Macbeth starts to believe their prophesy and tells it in a letter to his wife. Lady Macbeth is actually more ambitious and tough than her husband and when she receives the letter starts o hatch a plot to murder the old King when he stays with them soon after the victory. Banquo is troubled by these events but keeps silent. Macbeth wonders if he should do the terrible deed of killing his guest and King.

Prompted by his wife he does kill the King, almost has a breakdown and is saved from discovery by his cooler wife.

As the witches foretold Macbeth is declared King in preference to Duncan's son, Malcolm, who fearing for his life flees to England. It is assumed the young Malcolm is guilty of his father's death. Both Banquo and another noble, MacDuff are worried at the turn of events. Macbeth once in power becomes convinced that Banquo will betray him and is also worried by the witches’ prophecy that Banquo's family line will one day become King. Macbeth is hardening and without his wife's knowledge arranges the murder of his “friend” Banquo and Banquo's son (Fleance) but although Banquo is killed Fleance escapes.

Macbeth holds a banquet to celebrate his coronation, but Banquo's ghost appears and disrupts the banquet. Only Macbeth can see the ghost, the nobles are worried that their new king is mad. Lady Macbeth, now Queen, tries to hold the banquet together and cover up for her husband but the effort almost destroys her and we never see her energetic or rational again.

Macbeth decides to return to the witches for advice, he receives three riddling predictions that seem to prove he can never be defeated, including the statement that “no man of woman born can ever harm him” and that he will fall only when a forest marches on his castle. When Macbeth presses them they repeat the prediction that Banquo's descendants will rule Scotland for hundreds of years. This drives Macbeth to new fury and he decides to be bloody and murderous. He is angered that MacDuff has gone to England to meet with Prince Malcolm and so has his whole family murdered including the children. The scene shifts too England where MacDuff is trying to persuade a cautious Malcolm to return to Scotland and lead a revolt against Macbeth. News comes that all MacDuff's family are murdered and Malcolm, moved, is persuaded to lead an English army into Scotland with MacDuff.

Back in Scotland, Lady Macbeth goes mad, driven to distraction by her guilt. She eventually commits suicide and Macbeth sinks into dark despair. The English army arrive and Macbeth trusts to the witches’ prophecies. But these are soon revealed as omens of his destruction as the English army camouflages itself with branches so the forest appears to march on Macbeth's castle. Finally, as Macbeth's disloyal army melts away, MacDuff corners the tyrant King. Macbeth still trusts the witches but MacDuff reveals he was born by Caesarian operation and so not truly born from a woman’s womb. Macbeth sees he is doomed but chooses to fight to the end. MacDuff kills him and cuts off his head. Malcolm is restored as King of Scotland. The witches are still in the background – the play’s themes are repeated and reinforced – all seems well but humanity will soon corrupt and destroy itself again in its endless pursuit of power.

PRESS:
 A devastating performance…The witches were spellbinding using every sinew of their bodies as they flayed Macbeth with their tongues. Paul Flush’s evocative music is pitched perfectly…a memorable production.
The OBSERVER Britain

The imagery is as striking as the raw power of theatre. The pace surges forward until its final thrilling climax…The outstanding ensemble received tremendous applause.
SUDDEUTSCHE ZEITUNG  Germany

From the moment the curtains open the audience is gripped …the production slowly builds into a crescendo of terror…. With its strong visual and aural images, this "Macbeth" is a haunting reminder of how accessible Shakespeare can still be to modern audiences anywhere.
JAPAN TIMES

A brilliant staging of this tragedy, at once demonic and terrifying…The first class interpretation managed to transport the audience to medieval Scotland.
FRANKFURTER RUNDSCHAU Germany

Of TNT:

Highly effective and charismatic theatre
VILLAGE VOICE    New York

The most interesting development on the current theatrical scene
THE GUARDIAN London

 TNT – touring  theatre at its best
SOUTH CHINA MORNING POST
 TNT – True music theatre
CLASSICAL MUSIC MAGAZINE London

Wonderfully unpredictable and astonishingly inventive theatre…their visual imagery defies description
THE SCOTSMAN  Edinburgh Festival

TNT are touted as the most popular theatre company in the world
CCTV -  China National TV

Director’s notes/ Description

TNT is reviving their highly acclaimed version of Shakespeare's darkest and most exciting tragedy. The production has toured to over twenty countries on three continents, in venues as diverse as a ruined plantation house in Atlanta to Windsor Castle, from major theatres in Tokyo and Berlin to palaces in Verona and Stockholm. Over two thousand people attended performances in Kuwait. The 2005 tour will take in Britain, China, Japan, Thailand, Singapore and Italy. The key members of the original cast all return for this revival.

This is a full blooded production that is not afraid to unleash the power of Shakespeare's dark masterpiece. The witches are identified as the source of the dramatic energy of the play. They are shamans, wild forest spirits and they are neither man nor woman. They inahbit the entire world of the play. Macbeth himself is a warrior, not a thinker, a man of courage who's barvery is corrupted by unthinking ambition. His wife is also a type of witch, this is a Lady Macbeth who cals down the spirits to „unsex her here“ but is possessed and destroyed the demons she thought to command. In contrast the poerter scene is a comic and acobatic dance that is (unusally) genuinely funny. The set by noted designers Kurn and Gross is an extraordinary lumnous series of walls that become trees. These move around the stage on wheels creating striking visual imagery. This is also music theatre with a fully composed and integrated score by Paul Flush that mixes electronic and human sound.

MACBETH was director Paul Stebbings first major Shakespeare production. Its success generated a cycle of productions by TNT of England`s greatest playwright that have met with international acclaim and several awards. From Tehran to Shanghai and Oxford to Oslo TNT's vibrant and dynamic approach to Shakespeare has generated enthusiam from audiences and critics alike.

The imagery is as striking as the raw power of the theatre. The pace surges forward and Shakespeare’s tragedy grips until its thrilling climax........The outstanding ensemble received tremendous applause.